Weighing in at a hefty 6.6 pounds and measuring almost 12″x 15″, this isn’t a cheap plastic controller that slides off your desk. So what makes Push different? What exactly separates it from all the other controllers out there? Let’s find out. They are still very popular controllers for both live performance situations and studio use today (and the APC40 has just been relaunched), and so are the controllers built by the manufacturers we mentioned previously (Launchpad, OHM RGB and Monome 64/128, respectively). The predecessors of Push, the APC40 and APC20 are Ableton workhorses that were developed in an exclusive partnership with Akai. While companies like Novation, Livid Instruments and Monome created USB/Midi devices that let users take control of it, none had offered a tight, one-to-one integration with the software that required minimal tweaking and mapping – until the Akai APC40 and APC20 came out, that is. Whether as the centrepiece of an Ableton Live music production studio or onstage as a controller for performance, triggering clips and improvisation, Ableton clearly markets Push as a complete hands-on solution for what is arguably electronic music’s most ubiquitous DAW today.Įver since Ableton Live came out, third-party manufacturers have churned out a variety of controllers that take advantage of Live’s unique workflow, but only a handful specifically address its Session view, which is the heart of the Ableton Live experience. The Ableton Push is a USB hardware controller designed for seamless integration with Ableton Live 9. With all the controllers that have gone before it, none have been as ambitious or as complex while retaining Live’s fun factor. The Ableton Push controller is currently the only controller that gets you this deep and decidedly intimate with Live 9.
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